Why is a non-Catholic depicting saints? Enlightenment comes in stages and in the 4th grade I started looking for some answers. Even though I was raised Methodist I enrolled in catechism classes with an Air Force priest where we were stationed in New Jersey and was immediately impressed by the pageantry and theatrical elements of the Catholic rituals that just did not exist in my Methodist upbringing. Upon completion of my classes I surprised my parents when I chose to be baptized in a Catholic rather than Methodist ceremony, a decision that was based purely on ritual rather than belief. I can point directly to that moment for my fascination with saints over the years. While many look to the saints for comfort they have served to confound me over the years with their dubious origins and abilities.
In fairness, many of these saints are from a less enlightened time and reflect the beliefs of a medieval mind even though they continue to be venerated by the Vatican today. Like the scriptures themselves, the classic depictions of these holy people have been established and repeated to the point where they have become iconic in liturgical thought. For centuries Christian scripture has been reinterpreted and edited by countless sources to better dovetail with a more enlightened time. While this effort can be accused of the same practice, it is my intention to work within the accepted iconic conventions to create depictions that are not intended to be irreverent but to better reflect the aesthetics of modern culture.
I understand that anyone who approaches this type of subject is inviting controversy, I prefer to consider it inciting conversation, I believe anything that asks one to self-verify their core beliefs is serving a valid function.
From the onset of this project I decided to light everything with a simple dish (no light modifiers) to elicit the pallor of medieval life. To make the best use of my model’s time (all of whom were kind enough to volunteer) we shot everything in the studio over the course of just a few days and finished in post primarily sourcing images I made in France. I was thrilled that one of my favorite make-up artists, Melanie Manson, was excited about the project and brought her esthetic to the process which was key in setting the tone and pallet for these images.